Whether you have a musical bone in your body or not, being your own teacher on how to play the bass guitar is not impossible since a lot of musicians are self-trained. It is a challenge that requires patience and determination. To help out, here are the reminders before learning to produce music with this stringed instrument.

But will you be learning the proper techniques, the proper fingering? You best hire yourself a tutor. If you want to learn slap bass, it’s the ultimate way to go. And it’s also a great way of improving your music skills.

If your strings ever break mysteriously at the bridge, check your saddles. If there are any string “bite” marks, snags or burrs on the saddles, it means that they are wearing down your strings and the constant vibration of the strings makes the burrs act like little saws on the windings of the string. Eventually the core gives in – and POW, there goes a string – and possibly an eyeball.

With your thumb in position as described under the Hand Positioning section strike the low E string with the middle knuckle of your thumb and hit it pretty hard to get that classic “thump’ sound and then immediately release.

The lst note of the exercise will be the first notes of the sixteenth note exercise. Another important thing to develop in bass playing is the strength of both hand’s fingers. The bass guitar is a sturdy and solid musical instrument, strength is needed to play it.

It combines the plucking of the bottom notes with the percussive hits that the palm makes when it slaps the strings against the fingerboard. Slap bass is a very percussive style. It’s invention (on electric bass) has been credited to Larry Graham, of funk bands Sly& the Family Stone and Graham Central Station, allegedly improvising on an occasion when their band was left without a drummer! Slap bass is a must for the musicians who use spectacular and popular funk slap techniques which demands specific snappy attacks.

Unfortunately, it turns out to be harder than it looks. Here’s why: The muscles that move your hands and fingers across the neck and strings are rarely used for other tasks. The fine motor skills needed to play a stringed instrument require that the small muscles of the hands be strengthened. So when you take up the bass, you’re like a baby learning to walk: Not only do you have no idea of what you’re doing, you don’t even have the muscles to do it.

Use your left thumb as a pivot, keeping your elbow out from your body so that it can swing back and forth freely. Curve the fingers of your left hand out over the neck to reach notes on the thicker strings; as your thumb pivots. Play the notes on the thinner strings with your fingers flattened more against the neck, your elbow pulled back, and your left thumb standing almost out straight from the neck

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